I’ve just read that the Lulu Bell series by Belinda Murrell has sold >200,000 copies.
Just a moment while I put the laptop aside and bow in tremulous awe.
Okay, I’m back. So today I’m reviewing Lulu Bell and the Birthday Unicorn, the first in the Lulu Bell series. The book instantly caught my attention, thanks to the vibrant illustrations by Serena Geddes. And then it kept it, thanks to the clever writing.
Awesome thumbs-up aspects:
- Cute animals (everywhere)
- Mermaid costumes (what kid doesn’t want one of those)
- Gorgeous illustrations
That’s the short of it. But, of course, I had to look a little deeper into the workings of a very successful book idea.
Want some tips on how a great chapter book works? Read on…
I read this book in one sitting. NOT because it’s short (it’s actually 276 pages). NOT because I was reading-deprived after a month of writing (which I was, but that’s not the real reason). NOT EVEN because I didn’t want to go to bed before I figured out what super-scary stuff was going down that would otherwise give me nightmares.
No. I read this in one sitting because it’s that damn good.
I lent it to an author friend and she couldn’t put it down either.
‘Black‘ by Fleur Ferris is totally worth reading.
Obviously, me being me, I then wanted to figure out why this book was unputdownable for two sleep-deprived children’s writers.
Roughly speaking, it’s split into two almost equal parts. Part One, where we’re anxiously trying to figure out what is happening and waiting for it to all go bad. And Part Two. Where it goes bad, and we’re caught up in Ebony ‘Black’ Marshall’s fight to regain herself. I understand what makes the second part tick. I can write action and up the stakes and have people fight for their lives.
But the first part of the novel is a brilliant study in creating suspense.
I knew I had to work out how Ferris had done it. Want to know too? Read on.
Brilliant! Talk about filling a Jupiter-sized kidlit hole. Awesome girl playing non-traditionally-female sports and acing it? Bring it on! ‘Pocket Rocket‘, by Ellyse Perry and Sherryl Clark, is the first in the Ellyse Perry series, and it rocks.
Perry is up there with Australia’s top sportswomen, having represented our country in both Cricket and Soccer (football for you non-Aussies). I think she rocks as well!
This book, aimed at primary-school-aged girls, covers Perry’s first few weeks at high school as she tries to get on the school cricket team and win the Club Cricket grand final. It covers issues like changing friendships, settling in, and sticking to your dreams.
I love that her Dad is the parent we hear most about – their relationship is really positive. And diverse characters are throughout – just like in a real life Aussie school.
The Basic Ingredients for this Junior Fiction book
- 141 pages
- ~25,000 words
- 15 Chapters
- Humour, friendship, self-belief
- Swift publishing of Book 2
- Books 3 and 4 coming out within months
If you’re not scared of the occasional blatant spoiler or ten (okay, it’s all spoilers), read on for my deconstruction… Continue reading
If you’ve got a girl of about four or older, and you haven’t met Violet Mackerel yet, you definitely should. The books are in a series, but you don’t need to read them in order. Standalone or not, you will be swept away by their charm.
Book 6 is ‘Violet Mackerel’s Pocket Protest‘, written by Anna Branford and illustrated (here in Australia at least) by the brilliant Sarah Davis. When the beautiful simplicity of the writing combines with Davis’ vivid illustrations, you’re on to a winner.
‘Pocket Protest’ follows Violet and her friend Rose as they attempt to save the local oak tree from being cut down to make way for a carpark. They meet discouragement and setbacks along the way, but they stay true to themselves and keep trying.
It’s a wonderful book to introduce environmental themes to kids. It also has diverse characters (race, financial status, deafness) that are treated the same as all the others, again a very positive model for young kids.
- 10 Chapters, 108 pages (yes that’s about 10 pages per chapter if your maths-head has clocked off for the day)
- Illustrations on most spreads
- Primary problem Chapters 1-10
- Secondary problem Chapters 4-9
- Both problems successfully solved, some adult help but mainly due to the girls’ actions.
A powerful, empathy-inducing book, ‘Sister Heart’ by Sally Morgan beautifully tackles the terrible truth of the Stolen Generations. It is aimed at kids aged 9-14. This book had me crying and questioning and hugging my own little girl close.
I invite all Australians to read it, indeed all people. This story surpasses country or race to resonate deep inside what makes us human.
The narrator is a young Aboriginal girl taken from her family and placed in an institution far south of her home. Her voice is unique, her struggle in the face of unassailable odds is vivid, the friendship and support she finds from others like her is heart-warming.
This whole book is a triumph of character and voice. Continue reading
If I was Kylie Fornasier, and this was my book, I would be so damn proud. ‘The Things I Didn’t Say‘ had me completely absorbed into the very heart of the narrator. When I put the book down I’d often feel like I couldn’t talk.
Just like Piper.
How did Fornasier do it? Sure, it’s written in first person present, which is a good start. I’ve been known to take a break from a book and be all jittery because somewhere out there Cato and half a dozen other tributes are lurking and all they want to do is knock my bow-and-arrow wielding self into oblivion. So, yes, first person present POV is a great way of immersing a reader.
But there’s more here. I was so taken by this thoughtful and clever book, once I finished and blew my nose a few more times, I analysed the innards out of it to try and pinpoint what made it work for me. Turns out Fornasier Saved the Cat. Don’t know if it was intentional, but it worked.
Seriously. If Unputdownable and Awesome met and had a book baby, it would be ‘Illuminae‘ by Amie Kaufman and Jay Kristoff. If you’re wondering whether to read it, just take this as a fist-pumpingly enthusiastic, big-brass-band in the background YES!
And go away now and read.
However if, like me, you now want to dissect the story structure and see what made it mind-blowing, then read on my friend.
I think the key areas where ‘Illuminae’ shines are:
- Story structure cranking the tension.
- Plotty plot plot + plot + more plot
- Challenging narrative structure
- Characters you bleed for.
And that’s not even mentioning how often it made me laugh out loud.
I cried too. My emotional control is about equal to that of a caterpillar, so this isn’t all that unusual, but there is understated beauty in the way ‘Illuminae’ is written.
The hype is everywhere. There’s not a YA bestseller list that doesn’t seem to have at least two books with the name Sarah J. Maas next to them. I had to investigate.
And I like to start at the beginning, look at the book that began the phenomenon.
So. Then. ‘Throne of Glass’ it was.
I picked it up with two parts excitement, one part expectation, and a dusting of cynic.
Hoping for a great read.
And, phew, I got it. This is a fab book. So fab, I didn’t want to just attribute its awesomeness to world-building or characters or clever writing. Because there was something else. Something more.
Ever increasing levels of evil and excitement. Heavy-eyelids, can’t-stop-reading, catch-up-on-sleep-some-other-day kind of something more.
So after I’d read it once, I didn’t just reread it – I plotted out the entire book. What did I find?
- Exponential increase in gruesome deaths
- Story and character arcs
- Kick-ass third act.
If you don’t like spoilers, stop now… otherwise…