Reviewing this top-notch read has been a long time coming. And when I say long, I mean years.
I first heard about ‘Risk’ by Fleur Ferris before it was published. Here in West Oz, SCBWI have an annual event where we basically invite a few publishers over and then maroon them on a small island with us for several days.
Back in 2015 the publisher was from Random House. And she was talking up this book. If we wanted our YA to be published, she told us, this book was our benchmark.
The tantalising first chapter on the web hauled me in, but the book wasn’t out at the time. And somehow it just stayed on my TBR…
My library recently bought a brand-spanking shiny new copy that jumped out and grabbed me as I wandered past the shelf. And approximately seven hours after checking it out, I was reviewing it.
Because this brilliant book dragged me in and held me.
It frightened me.
It made me cry.
And it made me consider internet restrictions for the teenager my daughter will become in less than a decade. May it be a very long eight years.
So, what was so great about it?
- The balance between fear and reaction
- The background knowledge of the author
- The characters
Phew! First semester is over, so it’s back to the (fun) books for me! I couldn’t resist reaching for a novel I’ve been aching to read since it first came out – ‘Valentine’ by Jodi McAlister.
Great cover (don’t you think??!), great premise. Four kids, all born on Valentine’s Day… but which one is the changeling? Add a dash of love-hate romance and you have the perfect recipe for YA enjoyment.
This book does truckloads of stuff right. The characters and location feel so real. The start is amazing. All those midnight animals creeping around keep building the suspense.
And whoa… because if there aren’t at least two Valentines who can trace their lineage back to a bit of fairy magic, then I’m not a madcap children’s writer. Unfortunately, I have to wait for the next book to find out if I’m right. Continue reading
This has been on my TBR since before it was even published… and it did not disappoint! A clever melding of belief and reality, loss and discovery, fantasy and contemporary, it lured me in and held me. It’s been a while since I’ve read magic realism, and I sank back into it like a comfy couch.
‘The Shark Caller’ by Dianne Wolfer is a Young Adult novel that can easily suit Middle-grade readers as well. As in, no sex, drugs, angst or other decidedly YA-only markers.
‘The Shark Caller’ has a funky set-up that I loved, interspersing main character Izzy’s narrative with the POV of a shark (mako). The latter is beautifully set out on the page, not so much chapters as poetry and art. In fact, the whole book is beautiful.
It has a suite of diverse characters, and interweaves Tok Pisin with English so you get immersed in the setting of Papua New Guinea.
It’s fresh, it’s different.
I’m a fan. Continue reading
I was jigging-foot excited to read ‘Gemina‘ by Amie Kaufman and Jay Kristoff. Nervous too. Because, seriously, ‘Illuminae‘ was so damn mindblowing I wasn’t sure anything could ever come up to standard.
Thankfully, ‘Gemina’ came through for me. There was something about picking it up and leaping back into the unconventional, characteristic setup that had my blood singing so much those lamina would have sensed me from half a universe away.
- Characters of zing
- World-building of awesome
- Plot of intricate amaze-balls
Hooray, ‘Gemina’ happily thumbed its nose at the Seriously Sucky Sequel Syndrome. Want to know more? Brace yourselves and read on…
This book absorbed me. I became not one, but three new people as I read it.
I didn’t expect to love it this much. Don’t snort in my general virtual direction. I guess because this was written by a bloke, about three blokes adapting to the loss of a fourth bloke. And I’m not a bloke.
So I think my mind just kept gravitating to female-centric books instead.
Thankfully, I purposefully put it on my list at my last library visit after a few twitter giggles at posts by the author. And so should you. ‘The Sidekicks’ by Will Kostakis was a fabulous read, and I’m a bigger person for reading it.
The characters were vivid, the plot was enthralling, the writing was that sort of perfect where you don’t realise you’re reading.
I’m doing a dance now that I have read it, because it’s reminded me of why literature is so powerful. It isn’t just telling a story. With a book, especially in first person, you become the narrator as you read. You see and feel and think like someone else. And when that person is someone completely different to you, this magical thing can happen.
<oh, and a kinda spoiler alert, too> Continue reading
I’ve signed up for the 2017 Australian Women Writers Challenge!
The challenge I’ve set myself for this year (apparently it’s called the Franklin…) is:
- Read ten books by Australian women
- Review at least six of these and link the reviews back to the AWW2017 site.
Of course, I’ll be reviewing in the Children’s Books area, which should be a joy because we have so many awesome women writers making awesome books for kids and young adults.
In fact, I just read one today :o).
I read this book in one sitting. NOT because it’s short (it’s actually 276 pages). NOT because I was reading-deprived after a month of writing (which I was, but that’s not the real reason). NOT EVEN because I didn’t want to go to bed before I figured out what super-scary stuff was going down that would otherwise give me nightmares.
No. I read this in one sitting because it’s that damn good.
I lent it to an author friend and she couldn’t put it down either.
‘Black‘ by Fleur Ferris is totally worth reading.
Obviously, me being me, I then wanted to figure out why this book was unputdownable for two sleep-deprived children’s writers.
Roughly speaking, it’s split into two almost equal parts. Part One, where we’re anxiously trying to figure out what is happening and waiting for it to all go bad. And Part Two. Where it goes bad, and we’re caught up in Ebony ‘Black’ Marshall’s fight to regain herself. I understand what makes the second part tick. I can write action and up the stakes and have people fight for their lives.
But the first part of the novel is a brilliant study in creating suspense.
I knew I had to work out how Ferris had done it. Want to know too? Read on.
Picture the scene. It’s 2.47pm on a Wednesday. I have to leave to pick my daughter up from kindy in three minutes, except I’m awash with hot silent tears. I’ve been reading a great book again…
Sometimes there are stories that talk to me, change me, teach me. ‘Jenna’s Truth’ by Nadia L King is one of them. It takes the tough issues of bullying and teen suicide, and fights for a positive outcome.
Never relax around the popular kids; they lure you in like wolves circling their prey – I just hadn’t realised yet that I was the prey. (p30)
King was inspired to write this book by the moving story of Amanda Todd. Straight after I finished reading ‘Jenna’s Truth’ I googled Amanda’s You Tube video. Cue more tears on a Wednesday afternoon. Because Amanda didn’t deserve the treatment she got. Jenna doesn’t either. The difference between these two is that Jenna is saved.
‘Jenna’s Truth’ aims to save many more. Continue reading
Mate, after reading this I’m glad I’ve finished High School. Compelling and chest-huggingly confronting. Sickening actions with terrible repercussions. This book isn’t shy. It’s on a mission. But fear not – it also has the poise to end positively without a whiff of cheddar or colby. And it absorbed me.
‘Saving Jazz’ by Kate McCaffrey tells the tale of a drunken party gone wrong and its painful aftermath. It has a level of clarity that only comes from a combo of great writing and clever and careful editing – bravo Fremantle Press. The part of me that’s a mum was rocking in the corner muttering, ‘Home-schooling, home-schooling.’ The part of me that’s planning to be a Science teacher was setting her jaw, more determined to take the path already chosen, but also a little terrified.
If I was Kylie Fornasier, and this was my book, I would be so damn proud. ‘The Things I Didn’t Say‘ had me completely absorbed into the very heart of the narrator. When I put the book down I’d often feel like I couldn’t talk.
Just like Piper.
How did Fornasier do it? Sure, it’s written in first person present, which is a good start. I’ve been known to take a break from a book and be all jittery because somewhere out there Cato and half a dozen other tributes are lurking and all they want to do is knock my bow-and-arrow wielding self into oblivion. So, yes, first person present POV is a great way of immersing a reader.
But there’s more here. I was so taken by this thoughtful and clever book, once I finished and blew my nose a few more times, I analysed the innards out of it to try and pinpoint what made it work for me. Turns out Fornasier Saved the Cat. Don’t know if it was intentional, but it worked.